Professor Skadi Loist, Professor Deb Verhoeven, Professor Doris Ruth Eikhof , Professor Elizabeth Prommer and Dr Amanda Coles have been awarded a 1.47 million Euro Open Research Area Grant funded by the Deutsche Forschungsgemeinschaft (DFG; Germany), Economic and Social Research Council (ESRC; UK) and the Social Sciences and Humanities Research Council (SSHRC, Canada) to develop […]
At the end of August, Screen Australia released a self-congratulatory media announcement claiming they had exceeded their (admittedly low) target of 25% participation for women in Australian screen production over the preceding three years (based on an industry initiative they called Gender Matters). We’ve been trying to crunch the data about gender in Australian feature […]
Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data on creative roles in films contains within it the information to describe the networked structure of creative team relationships embodied in the film set analysed. Social network analysis (SNA) provides […]
Introduction Deb Verhoeven Statistics describing the parlous conditions for women in the Australian film industry have been gathered and circulated for more than 30 years. As long as I have worked in and reported on the industry these statistics have barely deviated. In some cases they’ve become marginally worse. Furthermore, their repeated release has given […]
In September, Deb traveled to KU Leuven to give the opening keynote at a conference on Intersectionality in the Digital Humanities. Her focus was twofold, asking: What can we learn about intersectionality from working with our data and relatedly, What can we learn from intersectionality to understand our data better The presentation was principally concerned […]
Join us for a showcase of work produced by the Kinomatics research group that explores different aspects of the industrial geometry of culture. The first Kinomatics Symposium will highlight work undertaken in relation to the spatial and temporal dimensions of international film flow and also in relation to Australian live music gigs. The implications for […]
