Data Story
Top Listing and the Australian Cinema (Part Two)
In this second post in a 4-part blog series, the Kinomatics team continues its deep look at a recent, contentious tally of Australia’s Top 50
In this second post in a 4-part blog series, the Kinomatics team continues its deep look at a recent, contentious tally of Australia’s Top 50
In this 4-part blog series, the Kinomatics team takes a deep look at a recent, contentious tally of Australia’s Top 50 Films (of all time),
Another “Hobbit Year” We’ve been going down a bit of a rabbit hole – to be fair it is the Easter season! Following up on
Did Santa deliver for Australian cinemas this past Christmas? Traditionally, the day after Christmas, Boxing Day, is a “make or break” release date for cinema
Pete Jones presented a summary of some of our most recent work at the CEDIA conference on Inequalities and Diversity in the Arts and Creative
A sub-team of kinomatics members (Deb, Pete, Aresh) have been working hard over the past couple of years to test the impact of different hypothetical
The Kinomatics team were spoiled for idyllic locations for our 4th international symposium. Kinomatics researchers from around the world gathered in Banff between September 27
In their paper The film festival sector and its networked structures of gender inequality Martha Emilie Ehrich, Katharina Burgdorf, Zhenya Samoilova and Skadi Loist
Media streaming platforms, such as Amazon Prime Video, Claro Video or Netflix, are finding an increasing need to fight over new subscribers. The competition is
In addition to devastating the arts sector, COVID-19 has made it abundantly clear that Australia’s cultural policy has been long neglected. In place of a
At the end of August, Screen Australia released a self-congratulatory media announcement claiming they had exceeded their (admittedly low) target of 25% participation for women
A research paper “Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’” by Kinomatics members Vejune Zemaityte, Deb Verhoeven