2023

Leontyeva, X. (2023). Gender (im)balance in the Russian cinema. 73rd International Communication Association Conference, Toronto, May, 29, 2023.

Moore, P.S. (2023). ‘Heretofore Spottily Probed’: Hollywood’s Turn to National TV Ad Campaigns. Canadian Communication Association.

Moore, P.S., Gabriele, S. (2023). The Sunday Paper: A Media History. Montreal Media History Seminar Keynote.

Moore, P.S., Whitehead, J. (2023). The Local Institution of Global Distribution: The Censorship of Diasporic Films in Post-War Canada. Film & Media Studies Association of Canada.

2022

Moore, P.S. (2022). Small-Gauge in the Great White North: A Critique of Canadian Government Data on Itinerant 16mm Exhibitors, 1938-1976. International Symposium on Traveling Cinema in the 20th Century.

Moore, P.S. (2022). The Age of Syndication: Newspapers and Early Radio. Society for Cinema and Media Studies.

Moore, P.S., Gabriele, S. (2022). The Sunday Paper: A Material History. Paperology Symposium Keynote.

2021

Mantsio, M. (2021) Visualization in/as Digital Media Studies, New Directions in Film Histiography. University of Marburg, Marburg, Germany.

Moore, P.S. (2021). ‘The Dramatic Tenses of Wordless Images’: Archie L. Shepard and the Melodrama of Early Cinema Publicity, HoMER History of Movie Exhibition and Reception.

Moore, P.S. (2021). Stoking an Appetite for Moviegoing: Classical Hollywood’s National Advertising Campaigns, Society for Cinema and Media Studies.

Verhoeven, D., Moore, P.S. (2021). Collaborative Networks’ Visualizing Research, Images Festival.

2020

Moore, P. S. (2020). When did ‘Starts Friday’ Start? The Shift to Standardized Movie Opening Days in North America. History of Moviegoing, Exhibition and Reception (HoMER) Network. June 15, 2020.

2019

Verhoeven, D., Moore, P. S., Zemaityte, V., Loist, S. & Samoilova, Z. (2019). Intellectual Networks and Cultural Networks: Kinomatics and the Complex Cultural Geometry of Cinema, Digital Humanities (DH2019) Conference “Complexities”, Utrecht University (NL). July 9–12, 2019.

Loist, S. & Samoilova, Z. (2019). Opening the Digital Toolbox for Film Festival Research: Studying Film Circulation on the Festival Circuit with DH. European Network for Cinema and Media Studies (NECS) Conference “Structures and Voices: Storytelling in Post-Digital Times University of Gdańsk, (PL). June 13-15, 2019.

Loist, S. (2019). Gendered Media Industries: Arguments for an Equal and Diverse Film Industry. Toronto German Studies Symposium “From Feminist Filmmaking to Pro Quote Film”, University of Toronto (CA). May 22-24, 2019.

Moore, P. S. (2019). Beast of Burden? The Work of Livery and Carriage for Itinerant Cinema Shows. Matérialité, Esthéthique et Histoires des Techniques, Québec, (QC). May, 2019.

Moore, P.S. (2019). CanCom, SimSub, and Detroit as a Canadian Media Metropolis, Edgy Media: McLuhan and His Influence.

Moore, P. S. (2019). Cinema Preferiti: Canadian Italian Language Film Distribution. Italian Cinemas Abroad, Co-Presenter with J. Whitehead. Columbus, (OH). March, 2019.

Moore, P. S. (2019). Counter-Archives and Counter-Pedagogy: Building Outreach through Education in Film Preservation. Association of Moving Image Archivists. Panel Organizer with Marta Braun, Baltimore (MD). November, 2019.

Moore, P.S. (2019). Drawing Its Own ‘Maplan’: Hanff-Metzger Inc.’s Lost Blueprints of the Art of Persuasion, 1914-1937, Commercial Pictures & the Arts of Visual Persuasion.

Moore, P. S. (2019). Kinomatics: Distributed Global Networks for the Study of Cinema’s Complex Distribution. Digital Humanities (DH2019) Conference “Complexities”, Utrecht (NL). July 9-12, 2019.

Moore, P. S. (2019). Movie-going in Stereoscope: Film Ads in ‘Foreign Language’ Newspapers in Canada. International Circulation of National Cinemas, Milan, Italy. September 2019.

Samoilova, Z. & Loist, S. (2019). Using a Feminist and Inclusive Approach for Gender Identification in Film Research. Poster at Digital Humanities (DH2019) Conference “Complexities”, Utrecht University (NL). July 9–12, 2019.

Zemaityte, V., Verhoeven, D. & Arrowsmith, C. (2019). The Telling of Women’s Stories: Using Big Data to Compare the Audience Access to Films Directed by Women across Europe. European Network for Cinema and Media Studies (NECS) Conference “Structures and Voices: Storytelling in Post-Digital Times”, University of Gdańsk, (PL). June 13-15, 2019.

2018

Loist, S. (2018). Data and Diversity – Applying Big Thinking to Big Problems. Experimenting for Equality: Global Policy Summit on Gender Equality in the Global Screen Industries, University of Montreal (CA). November 19-20, 2018.

Moore, P. S. (2018). Scarcity of Trust: Early Cinema Distribution and its Vanishing Points. Revisiting Narrative-Attractions, Ghent, (Belgium). November, 2018.

Zemaityte, V. (2018). Working with Big Cinema Data: Challenges and Opportunities. Melbourne Digital Humanities Pathways Forum 2018, University of Melbourne, Australia, October 12, 2018.

Zemaityte, V. (2018). Data-driven Cinema Studies: from Media Exchange between Two Markets to Global Film Distribution. Australasian Association for Digital Humanities (aaDH) Conference “DHA2018: Making Connections”, University of South Australia, Adelaide, Australia, September 25-28, 2018.

Zemaityte, V. (2018). Using Tableau to Visualise, Understand, and Analyse Research Data. Kinomatics @ Babelsberg: Digital Cultural Analytics & Visualization Day, Film University Babelsberg KONRAD WOLF, Potsdam, Germany, September 13, 2018.

Verhoeven, D., Musial, K., Palmer, S., Taylor, S., Simpson, L., Zemaityte, V. & Abedi, S. (2018). Solving the Problem of the “Gender Offenders”: Controlling Collaborative Network Evolution to Optimize Openness. Digital Humanities (DH2018) Conference, Mexico City, Mexico, June 26-29, 2018.

Zemaityte, V. (2018). Media Trade Beyond Country Borders: Identifying Five Types of International Film Distribution through Cluster Analysis. Cultural Economics Conference, RMIT University, Melbourne, (AU). June 26–29, 2018.

Moore, P. S. (2018). Magical Exchange: A Provenance for the Film Exchange in North America. Domitor Society for Early Cinema Studies, Rochester, (NY). June, 2018.

Moore, P. S. (2018). Shows, Circuits, Territories, Zones: Modelling Film Distribution for the American Mass Market. HoMER @ NECS (European Cinema & Media Studies), Amsterdam, (NL). June, 2018.

Loist, S. (2018). Diversity in Film, or Where is the Problem if Only (White Cis Hetero) Men Make Movies? Babelsberger Salon. 1st Symposium on Gender Research Film, Film University Babelsberg Konrad Wolf, Potsdam (DE), May 3–5, 2018.

Moore, P. S. (2018). Paramount Cooperatio: National Advertising Agencies and the Conspicuous Distribution of Feature Films in the U.S. International Communication Association, Prague, (CZ). May, 2018.

Loist, S. (2018). Film Circulation and the Significance of Film Festival Circuits. Media Industries: Current Debates and Future Directions, King’s College London (UK), April 18–20, 2018.

Zemaityte, V. (2018). Making Sense of Your Data through Visualizations with Tableau. The 2nd Kinomatics Symposium “Culture, Meaning and #DataToo”, University of Technology Sydney, (AU). April 6, 2018.

Loist, S. (2018). Studying Film Circulation on the International Film Festival Circuit. The 2nd Kinomatics Symposium “Culture, Meaning and #DataToo”, University of Technology Sydney, (AU). April 5–6, 2018.

Loist, S. & Linke, C. (2018). Gender on Screen and Behind the Camera: The German Case. The 2nd Kinomatics Symposium “Culture, Meaning and #DataToo”, University of Technology Sydney, (AU). April 5–6, 2018.

Zemaityte, V. (2018). More than just Blockbusters: Defining Five Types of International Film Distribution’, The 2nd Kinomatics Symposium “Culture, Meaning and #DataToo”, University of Technology Sydney, (AU), April 5, 2018.

Moore, P. S. (2018). Modelling Film Distribution from Modes of Historic Media Circulation. Media Industries Studies Symposium, London, (UK). April, 2018.

Taylor, S. & Munguia, P. (2018). Towards a Data Archiving Solution for Learning Analytics. The 8th International Conference on Learning Analytics and Knowledge (LAK’18), Sydney, (AU). March 7-9, 2018.

Moore, P. S. (2018). Hidden Circuits of Canadian Cinema: Immigrant Showmen and women, 1907 to 1967. Co-Author with J. Whitehead, Society for Cinema & Media Studies, Toronto, (ON). March, 2018.

Loist, S. (2018). Film Circulation on the International Film Festival Circuit. Masterclass, Monash University, Melbourne (AU).

Taylor, S. (2018). Making it in the Melbourne Music Scene: Post-punk and Post-post-punk. The 14th Australasian Urban History Planning History Conference (UHPH 2018), Melbourne, (AU). January 31-February 2, 2018.

Wahid-Ul-Ashraf, A., Budka, M., & Musial, K. (2018). NetSim—The Framework for Complex Network Generator. 22nd International Conference on Knowledge-Based and Intelligent Information & Engineering Systems (KES2018), Serbia.

2017

Wahid-Ul-Ashraf, A., Budka, M. & Musial, K. (2017). Newton’s Gravitational Law for Link Prediction in Social Networks. The 6th International Conference on Complex Networks and Their Applications, (FR). November 29-December 1, 2017.

Loist, S. (2017). World Cinema, Film Festivals and the Politics of Circulation. Multivoicedness in European Cinema: Representation, Industry, Politics. An ECREA Film Studies Section Conference, University College Cork (IR). November 10–11, 2017.

Verhoeven, D. (2017). Reproducibility, Contestability and Co-existence: The Imperative for Open Data in a Closing Down World, Figshare Fest, (NZ). October 27, 2017.

Verhoeven, D. (2017). The Art of Science. National Science Week, August 18, 2017.

Gao, F., Musial, K. & Gabrys, B. (2017). A Community Bridge Boosting Social Network Link Prediction Model. The Seventh Workshop on Social Network Analysis in Applications (SNAA2017) co-located with International Conference on Advances in Social Networks Analysis and Mining (ASONAM 2017), Sydney, (AU). July 31-August 3, 2017.

Loist, S. (2017). Film Festival Circuits: Studying the Hubs in the Festival Network. “Circuits of Cinema”, A HoMER Network Conference, Ryerson University, Toronto, (CA). June 22–24, 2017.

Verhoeven, D. (2017). Cinema Studies at Scale: Cartographies for Co-existence. The Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Ryerson University, Toronto, (CA). June 21-24, 2017.

Zemaityte, V. (2017). Film Popularity & Distribution: Comparing Australia and the USA as Markets for American Movies. The Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Ryerson University, Toronto, (CA). June 21-24, 2017.

Verhoeven, D. (2017). Measuring the Value of Network Analysis for Understanding Gender Bias in Creative Industries. International Communication Association (ICA) Conference, San Diego, (USA). May 28, 2017.

Loist, S. & Prommer, E. (2017). Women Directors and the Intervening Role of the Producer in European Cinema: A Pan-European Comparative Study on a Highly Gendered Creative Work Space. ICA 2017 “Interventions: Communication Research and Practice”, Feminist Scholarship section, San Diego, (USA). May 25–29, 2017.

Loist, S. (2017). Assessing Film Circulation Patterns on the Film Festival Circuit. ICA 2017 “Interventions: Communication Research and Practice”, Media Industries Section, San Diego (USA), May 25–29, 2017.

Loist, S. (2017). Exhibition, Distribution, Circulation: Considering the Flow of Films through the Festival Circuit. ICA Preconference “Distribution Matters: Media Circulation in Civic Life and Popular Culture”, SDSU, San Diego (USA), May 25, 2017.

Verhoeven, D. (2017). Understanding the Customer Value Equation ‘The Latest Research on Indie Cinema Value’. Independent Cinema Association Conference, Sydney, (AU). May 2, 2017.

Verhoeven, D. (2017). The Social Life of Data Symposium. (Co-Convenor), RMIT University, Melbourne, (AU). April 28, 2017.

Verhoeven, D. (2017). Women Behind the Scenes: How to Get to 50%. A WIFT/OZDOX Event, AFTRS, Sydney, (AU). April 12, 2017.

Verhoeven, D. (2017). Measuring the Value of Network Analysis for Cinema Studies. Society for Cinema and Media Studies (SCMS) Conference, Chicago, (USA). March 26, 2017.

Verhoeven, D. (2017). Go Figure: Open Data in a Closing World. THINC Lab, University of Guelph, Ontario, (CA). March 23, 2017.

Verhoeven, D. (2017). How I Learned to Stop Worrying and Love the Data. The Arts in a Digital World Summit, Canada Council for the Arts, Montreal, (CA). March 15-17, 2017.

Verhoeven, D. (2017). You Can’t Take the Men Out of Documentary: Cane Toad Cup Debate (Winner), Australian International Documentary Conference (AIDC), ACMI, Melbourne, (AU). March 8, 2017.

Verhoeven, D. (2017). Hands-on Digital Humanities: How to Make your Research Sticky. ResBaz, University of Melbourne, (AU). February 23, 2017.

Verhoeven, D. (2017). The Importance of Data Science in a World of Alternative Facts and Post Truths. (Plenary Panel), ResBaz, University of Melbourne, (AU). February 23, 2017.

Verhoeven, D. (2017). Open Data in a Closing Down World: Reproducibility, Contestability and Co-existence. Technologies of Memory and Affect Conference and Exhibition, Flinders University, Adelaide, (AU). February 16, 2017.

Verhoeven, D. (2017). Reproducibility, Contestability and Co-existence: The Imperative for Open Data. Figshare Symposium, UTS Sydney, (AU). February 9, 2017.

2016

Verhoeven, D. (2016). Because it Takes a Village to Fund the Answers: Crowdfunding University Researchers. The 27th Australasian Conference On Information Systems (ACIS2016), University of Wollongong, (AU). December 6, 2016.

Zemaityte, V., Verhoeven, D. & Coate, B. (2016). Testing the “10% rule”: Are American Films one-tenth as Popular in Australia as they are in the US? Sea Change: Transforming Industries, Screens, Texts, The Inaugural Biennial Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ) Conference, Victoria University, Wellington, (NZ). November 25, 2016.

Verhoeven, D. (2016). Big Data Goes to the Movies: The New Network Analysis in Cinema Studies. The Inaugural Biennial Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ) Conference, Victoria University, Wellington, (NZ). November 23, 2016.

Jones, M. & Verhoeven, D. (2016). The Ubiquitous Archive: Non-binary Perspectives on Contemporary Humanities Practice. 31^st National Conference of the Australian Society of Archivists, Parramatta, (AU). October 20, 2016.

Verhoeven, D. (2016). The Downunder on Movies Downunder. Nerd Nite, Wagga Wagga, (AU). September 29, 2016.

Verhoeven, D. (2016). Intersectionality in Digital Humanities’, KU Leuven, (BL). September 12-17, 2016.

Abdullaev, S., McBurney, P. & Musial, K. (2016). Pricing Options with Portfolio-based Option Trading Agents in Direct Double Auction. 22nd European Conference on Artificial Intelligence (ECAI 2016), The Hague, (NL). August 29-September 2, 2016.

Gao, F. & Musial, K. (2016). Hybrid Link Prediction Model. The Sixth Workshop on Social Network Analysis in Applications (SNAA 2016) co-located with International Conference on Advances in Social Networks Analysis and Mining, San Francisco, USA, August 18-21, 2016.

Verhoeven, D. (2016). Connectedness, Co-existence and Digital Collections. European Network for Cinema and Media Studies (NECS) Conference, Potsdam, Germany, July 30, 2016.

Prommer, E. & Loist, S. (2016). Where are the Female Movie Directors in Europe? A Seven-Country Study. IAMCR 2016, Leicester (GB), July 27–31, 2016.

Loist, S. & Prommer, E. (2016). Career Paths in the European Film Industry: How to Become a Director and Really Work in the Industry. NECS Conference 2016 “in/between: Cultures of Connectivity”, Potsdam (DE), July 28–30, 2016.

Loist, S. (2016). Circulation and Media Industry Research. Invited presentation for “Changes and Challenges within the Field of Cinema and Media Studies”, NECS Pre-conference Workshop, Potsdam (DE), July 27, 2016.

Brown, S., Clement, T. E., Mandell, L., Verhoeven, D. & Wernimont, J. (2016). Creating Feminist Infrastructure in the Digital Humanities. Digital Humanities (DH2016) Conference, Krakow, (PL). July 14, 2016.

Verhoeven, D., Coate, B., Palmer, S. & Arrowsmith, C. (2016). Using Big Cultural Data to Understand Diversity and Reciprocity in the Global Flow of Contemporary Cinema. Digital Humanities (DH2016) Conference, Krakow, (PL). July 13, 2016.

Verhoeven, D. (2016). Identifying the Point of it all: Towards a Model of Infrapuncture. Oxford Digital Humanities Summer School, (UK). July 4, 2016.

Verhoeven, D. (2016). Why Connected Scholarship is Essential for Contemporary Academics. LaTrobe University, Melbourne, (AU), June 15, 2016.

Verhoeven, D. (2016). Open Data and Big Data. International Symposium on the Measurement of Digital Cultural Products, UNESCO Institute of Statistics, Montreal, (CA). May 9-11, 2016.

Verhoeven, D. (2016). As Luck Would Have it: Discovery in the Digital Age Melbourne Knowledge Week, May 4, 2016.

Verhoeven, D. (2016). Big Data Goes to the Movies: Beyond the Itinerary. Transformations I: Cinema & Media Studies Research Meets Digital Humanities Tools, Tisch School of the Arts, New York University, (USA). April 15, 2016.

Verhoeven, D., Arrowsmith, C., Coate, B. & Davidson, A. (2016). On Location: Techniques for Analysing the Circulatory Economies of Cinema. Society for Cinema and Media Studies (SCMS), Atlanta, (USA). April 1, 2016.

Verhoeven, D., Sherratt, T. & Whitelaw, M. (2016). Electronic Visualisation, the Arts and the Innovation Agenda (Panel), Electronic Visualisation and the Arts Australasia (EVAA) Conference, University of Canberra, (AU). March 6, 2016.

Verhoeven, D. (2016). Always Hoik: Women and the Oscars’, Scribble Creative Women, February 26, 2016.

2015

Coate, B. (2015). An Investigation of the Relationships between Engagement in the Arts and Social Connectedness: Evidence from Australia. The 41st International Conference of Social Theory, Politics and the Arts (STP&A), University of South Australia, (AU). December 10-12, 2015.

Anatolitis, E., Rivers, K., Buck, A. & Eltham, B. (moderator) (2015). Industry and Government Perspectives on Cultural Data. (Plenary Panel), The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Arrowsmith, C. (2015). Cultural Dimensions and Genre Preferences for Film: An International Comparison. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Brandum, D. (2015). Little Britains: The Distribution of British Films in Hoyts Suburban Theatres of Melbourne, 1948-1957. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Coate, Bronwyn (2015). Feature film Diversity on Australian Cinema Screens: Implications for the Domestic Film Industry. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Eltham, B. (2015). Cultural Policy and Funding in Australia. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Gionfriddo, A. (2015). Introduction to TUGG – The Ultimate Gig Guide. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Taylor, S. (2015). A Long Way to the Top, but a Short Walk Home: A Method for Exploring the Historical Geography of Live Music, with a Focus on Musicians. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Verhoeven, D. (2015). Welcome and Highlights from Kinomatics as well as the Launch of the Cinema and Audiences Research Project Database (CAARP). The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Zemaityte, V. (2015). International Film Distribution. The Inaugural Kinomatics Symposium ‘Culture…Data → Meaning’, Deakin University, Melbourne, (AU). December 4, 2015.

Loist, S. (2015). “Film Festivals as Sanctuaries within the Film Industry? Women Directors on the Film Festival Circuit. ECREA Film Studies Section conference “European Cinemas, Intercultural Meetings: Aesthetics, Politics, Industry, History”, Copenhagen (DK). November 13–14, 2015.

Taylor, S. (2015). Sydney Live Music: Dead or Alive? (Public Lecture), What a Life! Rock Photography by Tony Mott, State Library of New South Wales, (AU). October 31, 2015.

Verhoeven, D. (2015). Showcasing the Digital Humanities. (Panel) Melbourne Knowledge Week, (AU). October 21, 2015.

Verhoeven, D. (2015). Innovation for Social Good. Global Innovator Conference, APEC China Business Council (ACBC) and the APEC Business Advisory Council (ABAC), Beijing, (CH). September 15, 2015.

Verhoeven, D. (2015). Crowd Funding – Research my World Pilot Project. National University Finance and Procurement Conference, July 27, 2015.

Prommer, E. & Loist, S. (2015). Underrepresented but of High Quality: German Feature Films by Female Directors. IAMCR 2015, Montreal, (CA). July 12–16, 2015.

Coate, B., Verhoeven, D., Davidson, A., Arrowsmith, C. & Zemaityte, V. (2015). Feature Film Diversity on Australian Cinema Screens: Implications for the Domestic Film Industry. XVIIth Film and History Association of Australia and New Zealand (FHAANZ) Conference, Queensland University of Technology, (AU). July 1-3, 2015.

Taylor, S. (2015). Musical and Mappable: Using GIS to Understand Change in Live Music Scenes Comprising Paid and Unpaid Musicians. Institute of Australian Geographers Conference, Australian National University, Canberra, (AU). July 1-3, 2015.

Loist, S. (2015). Mapping the Circuit: Methodological Considerations of New Empiricism and the Spatial Turn. NECS Conference 2015 “Archives of/for the Future”, Łódź, (PL), June 18–20, 2015.

Verhoeven, D. (2015). Digital Humanities: Where Does Art Fit in? University of Melbourne, June 5, 2015.

Zhang, J., McBurney, P. & Musial, K. (2015). Convergence of Trading Strategies in Continuous Double Auction Markets with Boundedly-rational Networked Traders. The 2nd International Workshop on Financial Markets and Nonlinear Dynamics (FMND), Paris, (FR). June 4-5, 2015.

Verhoeven, D. (2015). Show me the History! Big Data Goes to the Movies. Concordia University, Montreal, (CA). May 13, 2015.

Arrowsmith, C., Verhoeven, D., Davidson, A. & Coate, B. (2015). A Global Analysis of Cinema Performance. Association of American Geographers Conference, Chicago, (USA). April 21-25, 2015.

Loist, S. (2015). Film Festivals and the Politics of Circulation. Presentation in workshop “The ‘World Cinema’ Turn in Film Studies.” SCMS Conference, Montreal/QC, (CA). March 25–29, 2015.

2014

Avital, M., Andersson, M., Nickerson, J., Sundararajan, A., Van Alstyne, M. & Verhoeven, D. (2014). The Collaborative Economy: A Disruptive Innovation or much Ado About Nothing? 35th International Conference on Information Systems (ICIS), University of Auckland, (NZ). December 14-17, 2014.

Johnson, A., & Arrowsmith, C. (2014). Techniques for Analysing the Relationship between Population Density and Geographical Features of Interest. In Proceedings of the Geospatial Science Research 3 Symposium (GSR_3), School of Mathematical and Geospatial Science, RMIT University, Melbourne. December 1, 2014.

Verhoeven, D., Burrows, T. & Davidson, A. (2014). HuNI: Open Data Semantic Ontologies in the Digital Humanities. eResearch Australasia 2014, Melbourne, (AU). October 27-31, 2014.

Verhoeven, D., Davidson, A. & Coate, B. (2014). The Cinema Cities Index: The Potential of Engagement-led Research. eResearch Australasia 2014, Melbourne, (AU). October 27-31, 2014.

Verhoeven, D. & Arthur, P. (2014). NeCTAR Virtual Laboratories and the Humanities Networked Infrastructure (HuNI) Project. Japanese Association for Digital Humanities (JADH2014) Conference, University of Tsukubu, (JP). September 21, 2014.

Arrowsmith, C., Verhoeven, D. & Davidson, A. (2014). Kinomatics: A Co-produced Global Exploration of Cinematic Data. The Royal Geographical Society with IBG (RGS) Annual International Conference, London, (UK). August 29, 2014.

Verhoeven, D. (2014). Show me the History! (Keynote), History, Cinema, Digital Archives Conference, Australian National University, Canberra, (AU). July 23-25, 2014.

Verhoeven, D., Davidson, A., Arrowsmith, C. & Coate, B. (2014). Kinomatics: Big Cultural Data and the Study of Cinema. Digital Humanities (DH2014) Conference, Lausanne, (CH). July 10, 2014.

Verhoeven, D., Arrowsmith, C., Coate, B. & Davidson, A. (2014). Ranking: Re-placing Cinema Cities. Screen, Glasgow University, (UK). June 28, 2014.

Verhoeven, D., Arrowsmith, C., Coate, B. & Davidson, A. (2014). Scaling: Kinomatics and Big Cinema Data. Screen, Glasgow University, (UK). June 28, 2014.

Verhoeven, D., Arrowsmith, C., Davidson, A. & Coate, B. (2014). Flowing: Cinema Histories Mis-placed. Screen, Glasgow University, (UK). June 28, 2014.

Verhoeven, D., Arrowsmith, C., Coate, B. & Davidson, A. (2014). The Kinomatics Project: An Assessment of Using ‘Small’ Data to Support ‘Big’ Data. European Network for Cinema and Media Studies (NECS) Conference co-located with the Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Milan, (IT). June 19, 2014.

Verhoeven, D., Maltby, R., Casetti, F. & Ravazzoli, E. (2014). (Plenary Speakers), European Network for Cinema and Media Studies (NECS) Conference co-located with the Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Milan, (IT). June 19, 2014.

Verhoeven, D. & Maltby, R. (2014). Big Data and the Case Study: Challenges and Opportunities. European Network for Cinema and Media Studies (NECS) Conference co-located with the Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Milan, (IT). June 19, 2014.

Owen, S., Horn, A., Verhoeven, D., & Robertson, S. (2014). Collaboration Success in the Dataverse: Libraries as Digital Humanities Research Partners. 35th Annual The International Association of University Libraries (IATUL) Conference, Aalto University Library, Helsinki, (FIN). June 2-5, 2014.

Verhoeven, D., Arrowsmith, C., Davidson, A. & Coate, B. (2014). It’s Not How Big Your Data Is, It’s What You Do with It That Counts: Towards ‘Expanded Data’ in the Kinomatics Project. Australasian Association for Digital Humanities (aaDH2014) Conference, University of Western Australia, Perth, (AU). March 18-21, 2014.

Verhoeven, D. & Burrows, T. (2014). Deploying Ontologies in the Humanities and Creative Arts. Australasian Association for Digital Humanities (aaDH2014) Conference, University of Western Australia, Perth, (AU). March 18-21, 2014.

2013

Coles, A. L. & Fairbrother, P. (2013). The Dilemmas of Union Capacity: Organizing the Entertainment Industry. In Osbaldiston, N., Strong, C. and Forbes-Mewett, H. Reflections, Intersections and Aspirations: 50 years of Australian Sociology, The Australian Sociological Association Annual Conference, 2013 Proceedings, Monash University, November 25 – 28, 2013.

Verhoeven, D. (2013). It Ain’t Over Til the Big Data Sings. eResearch Australasia 2013 Conference, Brisbane, (AU). October 22, 2013.

Ragan, M., Verhoeven, D., VanDerWal, J., Galloway, G., Cochrane, T. & Tate, N. (Chair) (2013). Research Impact of eResearch Infrastructure. What Worked and What Hasn’t. (Panel), eResearch Australasia 2013 Conference, Brisbane, (AU). October 22, 2013.

Verhoeven, D., Burrows, T. & Hawker, A. (2013) ‘Humanities e-Research at a National Scale: The HuNI Virtual Laboratory’, eResearch Australasia 2013 Conference, Brisbane, (AU). October 21.

Verhoeven, D., Burrows, T. & Hawker, A. (2013). Humanities E-research at a National Scale: The HuNI Virtual Laboratory. eResearch Australasia 2013 Conference, Brisbane, (AU). October 20-25, 2013.

Burrows, T. & Verhoeven, D. (2013). Integrating Research in the Humanities: The HuNI Virtual Laboratory (Digital Poster), First Global Conference on Research Integration and Implementation, Canberra, (AU). September 8-11, 2013.

Arrowsmith, C., Verhoeven, D. & Davidson, A. (2013). Visualising Large Cinema Data Sets. The Royal Geographical Society with IBG (RGS/IBG) Conference, London, (UK). August 28-30, 2013.

Burrows, T. & Verhoeven, D. (2013). Humanities Networked Infrastructure (HuNI). Australasian eResearch Organisations (AeRO) 5th National Forum: AeRO Collaborates!, Perth, (AU). July 26, 2013.

Verhoeven, D. & Burrows, T. (2013). A National Virtual Laboratory for the Humanities in Australia: The HuNI (Humanities Networked Infrastructure) Project. Digital Humanities 2013 (DH2013) Conference, University of Nebraska-Lincoln, (USA). July 16-19, 2013.

Verhoeven, D., Arrowsmith, C., Coate, B. & Davidson, A. (2013). Cinema Studies is Big: It’s the Pictures that Got Small. European Network for Cinema and Media Studies (NECS) Conference co-located with the Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Prague, (CZ). June 20-22, 2013.

Arrowsmith, C., Verhoeven, D. & Davidson, A. (2013) Spatial Visualisation for Heterogeneous Cinema Datasets. European Network for Cinema and Media Studies (NECS) Conference co-located with the Annual History of Moviegoing, Exhibition and Reception (HoMER) Network Conference, Prague, (CZ). June 20-22, 2013.

Verhoeven, D. & Hawker, A. (2013). A National Virtual Laboratory for the Humanities: A Taste of HuNI. The Higher Education Technology Agenda (THETA) Conference, Hobart, (AU). April 7-10, 2013.

2012

Ryan, M. & Verhoeven, D. (2012). The Australian Screen Producer: Understanding Screen Production Cultures in a Period of Industrial Transition. 16th Biennial Conference of the Film and History Association of Australian and New Zealand, Victoria University, Melbourne, (AU). December 2-5, 2012.

Mason, I., Verhoeven, D. & Ross, S. (2012). eResearch Infrastructure for the Humanities. Third New Zealand eResearch Symposium, Victoria University, Wellington, (NZ). July 4-6, 2012.

Verhoeven, D. & Morris, B. (2012). Making Cities Count: Rankings, Liveability and Cultural Comparison. Making Culture Count: Rethinking Measures of Vitality, Wellbeing and Citizenship Conference, Melbourne, (AU). May 2-4, 2012.

Verhoeven, D., Gionfriddo, A., Wilson, R., Thomas, I., May, N. & Balasubranamian, V. (2012). Virtual Research Collections in the Humanities: Defining and Creating MavReC. Digital Humanities Australasia 2012 (DHA2012) Conference, Canberra, (AU). March 28-30, 2012.

Verhoeven, D., Kilner, K., Bollen, J. & Harley, R. (2012). Connecting Australia’s Cultural Datasets: A Vision for Collaboration. Digital Humanities Australasia 2012 (DHA2012) Conference, Canberra, (AU). March 28-30, 2012.

Verhoeven, D. (2012). Capacity, Curriculum Content: Teaching Digital Research Methodologies: A Case Study. Digital Humanities Australasia 2012 (DHA2012) Conference, Canberra, (AU). March 28-30, 2012.

Arrowsmith, C. & Verhoeven, D. (2012). Visualising Cinema Circuits: A Case Study in Greek Cinema’, Association of American Geographers Annual Conference, New York, (USA). February 26, 2012.

2011

Arrowsmith, C. & Verhoeven, D. (2011). Visual Methods for Showing Cinema Circuits at Varying Temporal and Spatial Scales. GSR_1. December 12, 2011.

Verhoeven, D. (2011). Projected Communities: Greek Cinema-going in Australia (1949-86). The 9th International Conference on Greek Research, Flinders University, Adelaide, (AU). July 3, 2011.

Arrowsmith, C., Verhoeven, D., & Davidson, A. (2011). A Method for Detecting Geographic Cinema Circuits Using Markov Chains. The GIS Research UK (GISRUK) Conference, Portsmouth, (UK). April 27-29, 2011.

2009

Arrowsmith, C., Davidson, A. & Verhoeven, D. (2009). Spatio-temporal Analysis of Micro-historical Cinematic Data. Biennial International Conference of the Surveying and Spatial Sciences Institute (SSSI), Adelaide, (AU). September 28-October 2, 2009.

Arrowsmith, C., Verhoeven, D., Maltby, R. & Walsh, M. (2009). Media Geographies: A Geographic Study of Cinema in Australia for the Period from 1948-1971. Annual International Conference of the RGS-IBG, September 1-3, 2009.

Arrowsmith, C., Verhoeven, D. & Davidson, A. (2009). Geovisualising the History and Geography of Cinema. New Zealand Geographical Society (with the Institute of Australian Geographers) Conference, Christchurch, (NZ). July 5-8, 2009.

Brandum, D., Verhoeven, D. & Coate, B. (2009). Wagging a Long Thin Tail: The Economic Imperatives of the Roadshow Release Strategy. The 2nd Screen Economics Research Group 2009 Symposium (SERG 2009), Sydney, (AU). June 12-13, 2009.

Arrowsmith, C., Verhoeven, D. & Davidson, A. (2009). The Role of GIS and Spatial Analyses for Understanding Historical Change in the Post-war Film Industry: An Interdisciplinary Case Study Approach. ‘Mapping the City in Film: A Geo-Historical Analysis,’ An Interdisciplinary Conference, University of Liverpool, (UK). February 25-26, 2009.