News
Second Kinomatics Symposium
The Second Kinomatics Symposium will be held at UTS on Thursday April 5 and Friday April 6. Join us for any or all of three
The “Gender Offender” analysis: How and Why We Did It (Part Two)
Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data
The “Gender Offender” analysis: How and Why We Did It (Part One)
Introduction Deb Verhoeven Statistics describing the parlous conditions for women in the Australian film industry have been gathered and circulated for more than 30 years.
An outline for an intersectional feminist Digital Humanities
In September, Deb traveled to KU Leuven to give the opening keynote at a conference on Intersectionality in the Digital Humanities. Her focus was twofold,
Kinomatics Goes Global
Like the movies we study, Kinomatics has been traversing the globe lately. In May, Deb presented our most recent research that uses our “big data”
Research Summer School
In February, 2016 Vejune Zemaityte delivered a poster presentation at Higher Degree by Research Summer School for the Faculty of Arts and Education held at
End of Year kinomatics
A capacity audience at the Deakin University Melbourne City Centre attended our end of year kinomatics symposium on December 4: Culture….Data → Meaning We would
The inaugural Kinomatics Symposium: Culture….Data → Meaning
Join us for a showcase of work produced by the Kinomatics research group that explores different aspects of the industrial geometry of culture. The first
Counting the cost of cinema ticket prices in Australia
Not ones to avoid a debate Deb and Bron have returned to the fray with another article on cinema ticket pricing, this time looking at
Introducing our newest researcher: Vejune Zemaityte
1. Could you describe your background and how you came to work with the kinomatics group? I was born and raised in Vilnius, the
Film Impact Rating (FIR) Generates an Impact Itself!
In January members of the Kinomatics team (Deb, Alwyn and Bronwyn) had a research paper titled: Australian films at large: expanding the evidence about
Introducing the Hobbit Year
We have a calendar year, a financial year, and a year of the monkey. Why not a Hobbit year? The Kinomatics project has been rethinking