Kinomatics: the industrial geometry of culture

The Kinomatics Project collects, explores, analyses and represents data about the creative industries. Our research is collaborative and interdisciplinary. Our current focus is on the spatial and temporal dimensions of international film flow and the location of Australian live music gigs.

An outline for an intersectional feminist Digital Humanities

In September, Deb traveled to KU Leuven to give the opening keynote at a conference on Intersectionality in the Digital Humanities. Her focus was twofold, asking: What can we learn about intersectionality from working with our data and relatedly, What can we learn from intersectionality to understand our data better The presentation was principally concerned […]

Kinomatics Goes Global

Like the movies we study, Kinomatics has been traversing the globe lately. In May, Deb presented our most recent research that uses our “big data” set of cinema showtimes to reconceptualise film transfers between nations in terms of reciprocity rather than unilateral trade dominance. You can see the slides of Deb’s  presentation. Or you can […]

Research Summer School

In February, 2016 Vejune Zemaityte delivered a poster presentation at Higher Degree by Research Summer School for the Faculty of Arts and Education held at Deakin University’s Geelong Waterfront campus. This presentation marked just over a year of her PhD study. Here June explains her poster in order to to walk you through her kinomatics […]