
Kinomatics goes to CEDIA
Pete Jones presented a summary of some of our most recent work at the CEDIA conference on Inequalities and Diversity in the Arts and Creative

Pete Jones presented a summary of some of our most recent work at the CEDIA conference on Inequalities and Diversity in the Arts and Creative

A sub-team of kinomatics members (Deb, Pete, Aresh) have been working hard over the past couple of years to test the impact of different hypothetical

The Kinomatics team were spoiled for idyllic locations for our 4th international symposium. Kinomatics researchers from around the world gathered in Banff between September 27

In their paper The film festival sector and its networked structures of gender inequality Martha Emilie Ehrich, Katharina Burgdorf, Zhenya Samoilova and Skadi Loist

Media streaming platforms, such as Amazon Prime Video, Claro Video or Netflix, are finding an increasing need to fight over new subscribers. The competition is

In addition to devastating the arts sector, COVID-19 has made it abundantly clear that Australia’s cultural policy has been long neglected. In place of a

At the end of August, Screen Australia released a self-congratulatory media announcement claiming they had exceeded their (admittedly low) target of 25% participation for women

A research paper “Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’” by Kinomatics members Vejune Zemaityte, Deb Verhoeven

How bad is gender inequality in the global filmindustry? It is much worse than you think. The Kinomatics team have been examining our Showtime Dataset

The data is in – 16 speakers, 2 workshops, 3 panels and <retracted> bottles of beer later and its a wrap for the 2nd International

The Second Kinomatics Symposium will be held at UTS on Thursday April 5 and Friday April 6. Join us for any or all of three

Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data