Australian Cinema
Putting the Box-office in Boxing Day
Did Santa deliver for Australian cinemas this past Christmas? Traditionally, the day after Christmas, Boxing Day, is a “make or break” release date for cinema
Did Santa deliver for Australian cinemas this past Christmas? Traditionally, the day after Christmas, Boxing Day, is a “make or break” release date for cinema
We recently began the process of investigating the impact of gender in our new dataset of Australian film credits and immediately struck an unexpected problem.
Kinomatics researchers Deb Verhoeven and Katarzyna Musial along with UTS colleagues Gerhard Hambusch, Samir Ghannam & Mikhail Shashnov’s have published an important new work, “Net
Members of the Kinomatics Team, including Deb Verhoeven, Paul S. Moore, Amanda Coles, Bronwyn Coate, Vejune Zemaityte, Katarzyna Musial, Elizabeth Prommer, Michelle Mantsio, Sarah Taylor,
Professor Skadi Loist, Professor Deb Verhoeven, Professor Doris Ruth Eikhof , Professor Elizabeth Prommer and Dr Amanda Coles have been awarded a 1.47 million Euro
Media streaming platforms, such as Amazon Prime Video, Claro Video or Netflix, are finding an increasing need to fight over new subscribers. The competition is
At the end of August, Screen Australia released a self-congratulatory media announcement claiming they had exceeded their (admittedly low) target of 25% participation for women
A research paper “Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’” by Kinomatics members Vejune Zemaityte, Deb Verhoeven
How bad is gender inequality in the global filmindustry? It is much worse than you think. The Kinomatics team have been examining our Showtime Dataset
Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data
Introduction Deb Verhoeven Statistics describing the parlous conditions for women in the Australian film industry have been gathered and circulated for more than 30 years.
In September, Deb traveled to KU Leuven to give the opening keynote at a conference on Intersectionality in the Digital Humanities. Her focus was twofold,