Projects
The “Gender Offender” analysis: How and Why We Did It (Part Two)
Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data
Read Part One of this post here. PART 2. Visualising Male Producer Networks This aspect of the project was undertaken by Stuart Palmer. This data
Introduction Deb Verhoeven Statistics describing the parlous conditions for women in the Australian film industry have been gathered and circulated for more than 30 years.
In September, Deb traveled to KU Leuven to give the opening keynote at a conference on Intersectionality in the Digital Humanities. Her focus was twofold,
Like the movies we study, Kinomatics has been traversing the globe lately. In May, Deb presented our most recent research that uses our “big data”
In February, 2016 Vejune Zemaityte delivered a poster presentation at Higher Degree by Research Summer School for the Faculty of Arts and Education held at
A capacity audience at the Deakin University Melbourne City Centre attended our end of year kinomatics symposium on December 4: Culture….Data → Meaning We would
Join us for a showcase of work produced by the Kinomatics research group that explores different aspects of the industrial geometry of culture. The first
Not ones to avoid a debate Deb and Bron have returned to the fray with another article on cinema ticket pricing, this time looking at
1. Could you describe your background and how you came to work with the kinomatics group? I was born and raised in Vilnius, the
The Kinomatics project has made it into the media this past few weeks. A story in Brussels news outlet Brussel Nieuws has picked up
Here at Kinomatics we’ve been thrilled by the response to a recent article in The Conversation by Bronwyn Coate and Deb Verhoeven on the issue of
What is Songification? You may already know about data sonification. Its a technique that’s been successfully used to assist the vision impaired for some time.